Barbe-bleue

Jacques Offenbach
Operas Ba-ta-clan (1855) Les deux aveugles (1855) La bonne d'enfant (1856) Le mariage aux lanternes (1857) Orpheus in the Underworld (1858) Geneviève de Brabant (1859) Daphnis et Chloé (1860) M. Choufleuri restera chez lui le . . . (1861) Le pont des soupirs (1861) Les bavards (1862) Die Rheinnixen (1864) La belle Hélène (1864) Barbe-bleue (1866) La vie parisienne (1866) La Grande-Duchesse de Gérolstein (1867) Robinson Crusoé (1867) L'île de Tulipatan (1868) La Périchole (1868) Les brigands (1869) Bagatelle (1874) Madame l'archiduc (1874) Le voyage dans la lune (1875) Madame Favart (1878) La fille du tambour-major (1879) The Tales of Hoffmann (1880, unfinished)
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Barbe-bleue (French pronunciation: [baʁb blø], Bluebeard) is an opéra bouffe, or operetta, in three acts (four scenes) by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy based on Charles Perrault's 1697 story.

Performance history

It was first performed at the Théâtre des Bouffes Parisiens, Paris on 5 February 1866. Productions outside France followed swiftly: London, Vienna and Brussels in 1866, Stockholm, Berlin, Budapest, Milan and Copenhagen in 1867.^[1] The operetta was given in New York City at the Grand Opera House on 24 December 1870 and seen in Sydney in 1872.

Roles

Synopsis

Prince Saphir, in love with the flower-girl Fleurette, disguises himself as a shepherd to move near to where she lives. Fleurette loves Saphir but complains that he has not yet proposed marriage. Boulotte wants to seduce Saphir. King Bobèche does not want a female heir to his throne, and so he abandoned his daughter Hermia when she was three years old. Now that his son has gone his own way, the king remembers his daughter. He asks his minister Oscar to find her within one day. Oscar meets his old friend Popolani, an alchemist with Knight Bluebeard. It is Popolani’s charge to poison the Knight’s wives upon request (at least Bluebeard believes that he poisons them), and Popolani has been ordered to find a new wife. Boulotte, having drawn the first prize in the village lottery of virtue, is brought to Bluebeard.

Oscar finds out by chance that Fleurette is Princess Hermia, and he brings her to the happy king and queen. With the princess's identity now known, Prince Saphir comes out of hiding, removing the last obstacle to the wedding. Boulotte has become Bluebeard's sixth wife. However, Bluebeard appears at the royal wedding and falls in love with Princess Hermia. He decides to poison Boulotte that evening and to make Hermia his seventh wife. However, events take a different course.

Recordings

• Recordings which appear on operadis-opera-discography.org.uk

See also

• Libretto in WikiSource

Notes

References

• Amadeus Almanac (5 February 1866), accessed 17 December 2008
• Boosey and Hawkes page about the operetta

External links

• Libretto as originally submitted for censorship.
• Information about the New York production
• Information about English version