| 1:1 | | | Piano Trio No. 1 in E flat major | | Eb+ | | 1792 | 31:00 | Piano trio |
| 1:2 | | | Piano Trio No. 2 in G major | | G+ | | 1792 | 33:30 | Piano trio |
| 1:3 | | | Piano Trio No. 3 in C minor | This work was later arranged for string quintet as Opus 104 | C- | | 1792 | 29:00 | Piano trio |
| 2:1 | | | Piano Sonata No. 1 in F minor | The second movement uses material from the third part of the Piano Quartet WoO 36. | F- | | 1793 | 19:00 | Piano Sonata |
| 2:2 | | | Piano Sonata No. 2 in A major | | A+ | | 1794 | 24:00 | Piano Sonata |
| 2:3 | | | Piano Sonata No. 3 in C major | | C+ | | 1795 | 26:00 | Piano Sonata |
| 3 | | | String Trio in E flat major | | Eb- | | 1794 | 38:00 | String Trio |
| 4 | | | String Quintet in E flat major | | Eb+ | | 1795 | 24:30 | String Quintet |
| 5:1 | | | Sonata No. 1 for Piano & Cello in F major | | F+ | | 1796 | 24:30 | Sonata |
| 5:2 | | | Sonata No. 2 for Piano & Cello in G minor | | G- | | 1796 | 26:30 | Sonata |
| 6 | | | Sonata for Piano Duet in D major | | D+ | | 1797 | | Piano duet |
| 7 | | | Piano Sonata No. 4 in E flat major | | | | 1797 | 30:00 | Piano Sonata |
| 8 | | | Serenade for String Trio in D major | Arranged for piano in opus 42 | D+ | | 1797 | 26:00 | String Trio |
| 9:1 | | | String Trio in G major | | G+ | | 1798 | 25:30 | String Trio |
| 9:2 | | | String Trio in D major | | D+ | | 1797 | 23:00 | String Trio |
| 9:3 | | | String Trio in C minor | | C- | | 1797 | 23:30 | String Trio |
| 10:1 | | | Piano Sonata No. 5 in C minor | Related to WoO 52 and WoO 53. | C- | | 1795 | 17:30 | Piano Sonata |
| 10:2 | | | Piano Sonata No. 6 in F major | | F+ | | 1796 | 12:00 | Piano Sonata |
| 10:3 | | | Piano Sonata No. 7 in D major | | D+ | | 1797 | 22:00 | Piano Sonata |
| 11 | | | Clarinet Trio No. 4 in B flat "Gassenhauer" | | Bb+ | cel,cla/vln,pno | 1797 | 21:30 | |
| 12:1 | | | Sonata No. 1 for Piano & Violin | | D+ | | 1798 | 21:30 | Violin Sonata |
| 12:2 | | | Sonata No. 2 for Piano and Violin | | A+ | | 1798 | 17:00 | Violin Sonata |
| 12:3 | | | Sonata No. 3 for Piano & Violin in E flat maj | | Eb+ | | 1798 | 19:30 | Sonata |
| 13 | | | Piano Sonata No. 8 "Pathétique" | | C- | | 1798 | 19:00 | Piano Sonata |
| 14:1 | | | Piano Sonata No. 9 in E major | | E+ | | 1799 | 12:30 | Piano Sonata |
| 14:2 | | | Piano Sonata No. 10 in G major | | G+ | | 1799 | 15:00 | Piano Sonata |
| 15 | | | Piano concerto No. 1 in C major | | C+ | | 1800 | 37:00 | Piano concerto |
| 16 | | | Quintet for Piano, Oboe, Clarinet, Horn & Bas | | Eb+ | cha | 1797 | 26:00 | |
| 16Q | | | Piano Quartet in E flat major Op. 16 | This is the quartet version of opus 16. The "q" in the catalog number is my own invention. | Eb+ | cha | 1797 | 26:00 | Piano quartet |
| 17 | | | Sonata for Piano & French Horn in F major | | F+ | | 1800 | 14:00 | Sonata |
| 18:1 | | | String Quartet No. 1 in F major | | F+ | | 1800 | 22:00 | String quartet |
| 18:2 | | | String Quartet No. 2 "Compliments Quartet" | | G+ | | 1800 | 25:00 | String quartet |
| 18:3 | | | String Quartet No. 3 in D major | | D+ | | 1800 | 26:00 | String quartet |
| 18:4 | | | String Quartet No. 4 in C minor | | C- | | 1800 | 25:00 | String quartet |
| 18:5 | | | String Quartet No. 5 in A major | | A+ | | 1800 | 30:00 | String quartet |
| 18:6 | | | String Quartet No. 6 in B flat major | | Bb+ | | 1800 | 27:00 | String quartet |
| 19 | | | Piano concerto No. 2 in B flat major | | Bb+ | | 1801 | 29:30 | Concerto |
| 20 | | | Septet for Clarinet, Bassoon, Horn, etc. | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello, Bass. Arranged for piano trio as Opus 38 | Eb+ | | 1799 | 39:00 | Septet |
| 21 | | | Symphony No. 1 in C major | | C+ | | 1800 | 27:30 | Symphony |
| 22 | | | Piano Sonata No. 11 in B flat major | | Bb+ | | 1800 | 24:00 | Piano Sonata |
| 23 | | | Sonata No. 4 for Piano & Violin in A minor | | A- | | 1801 | 16:00 | Sonata |
| 24 | | | Sonata No. 5 "Frühlings - Sonate" | Sonata for Piano & Violin "Frühlings - Sonate" (Spring) | F+ | | 1801 | 24:00 | Sonata |
| 25 | | | Serenade for Flute, Violin & Viola in D major | Arranged later for Flute & Piano as Opus 41. | D+ | | 1801 | 26:30 | Serenade |
| 26 | | | Piano Sonata No. 12 "Funeral March" | Part 1 consists of 5 variations:
Variazione I: Animato un pochettino
Variazione II: Un pochettino più animato
Variazione III: Tempo primo
Variazione IV: Poco più mosso
Variazione V: Tempo primo, ma un poco animato | Ab+ | | 1801 | 19:00 | Piano Sonata |
| 27:1 | | | Piano Sonata No. 13 "quasi una Fantasia" | Sonata quasi una fantasia. | Eb+ | | 1801 | 14:00 | Piano Sonata |
| 27:2 | | | Piano Sonata No. 14 "Moonlight" | Mondschein Sonate | C#- | | 1802 | 16:15 | Piano Sonata |
| 28 | | | Piano Sonata No. 15 in D major: "Pastorale" | | D+ | | 1801 | 21:00 | Piano Sonata |
| 29 | | | String Quintet in C major | | C+ | | 1801 | 33:30 | String Quintet |
| 30:1 | | | Sonata No. 6 for Piano & Violin in A major | | A+ | | 1802 | 23:00 | Sonata |
| 30:2 | | | Sonata No. 7 for Piano & Violin in C minor | | C- | | 1802 | 26:00 | Sonata |
| 30:3 | | | Sonata No. 8 for Piano & Violin in G major | | G+ | | 1802 | 18:30 | Sonata |
| 31:1 | | | Piano Sonata No. 16 in G major | | G+ | | 1802 | 23:00 | Piano Sonata |
| 31:2 | | | Piano Sonata No. 17 "Sturm-Sonate" | The tempest. | D- | | 1802 | 22:30 | Piano Sonata |
| 31:3 | | | Piano Sonata No. 18 in Eb major "The hunt" | La Chasse | Eb+ | | 1802 | 22:00 | Piano Sonata |
| 32 | | | An die Hoffnung (from Tiedge's Urania) | "Die du so gern in heilgen Nächten feierst". 2nd setting is Opus 94. | | | 1805 | | Song |
| 33 | | | Bagatelles op. 33 | | | pno | 1802 | 19:00 | |
| 34 | | | 6 Variations in F on an Original Theme | | | | 1802 | 13:00 | Variations |
| 35 | | | 15 Variations with Fugue "Eroica-Variationen" | On a theme from the ballet "Die Geschopfe des Prometheus". | Eb+ | pno | 1802 | 24:30 | |
| 36 | | | Symphony No. 2 in D major | | D+ | | 1802 | 35:00 | Symphony |
| 36P | | | Piano Trio after the Symphony No. 2 | | D+ | | 1805 | | Piano trio |
| 37 | | | Piano concerto No. 3 in C minor | | C- | | 1803 | 37:30 | Piano concerto |
| 38 | | | Trio for Piano, Clarinet or Violin, & Cello | After the Septet Opus 20 | Eb+ | cel,cla/vln,pno | 1803 | | |
| 39:1 | | | Prelude no. 1 through the 12 major keys | | C+ | org/pno | 1789 | | Prelude |
| 39:2 | | | Prelude for Piano or Organ in C major: throug | | | org/pno | 1789 | | Prelude |
| 40 | | | Romance No. 1 for Violin & Orchestra | | G+ | | 1802 | 7:30 | Romance |
| 41 | | | Serenade for Piano & Flute in D major: | After the Serenade Opus 25; arranged by Franz Xaver Kleinheinz | D+ | | 1803 | | Serenade |
| 42 | | | Notturno for Piano & Viola in D major | After Opus 8; arranged by Franz Xaver Kleinheinz | D+ | | 1804 | 29:00 | Nocturne |
| 43 | | | Ballet Music: "Die Geschöpfe des Prometheus" | Translation: The Creatures of Prometheus. Overture and ballet music. Also arranged for piano as Hess 90. | | | 1801 | 5:00 | Ballet |
| 44 | | | 14 Variations for Piano Trio in E flat major | On a theme from Dittersdorfs "Das rote Käppchen". For piano, violin and cello. | Eb+ | | 1792 | 14:00 | Piano trio |
| 45 | | | 3 marches for piano duet | | | | 1803 | | Piano duet |
| 46 | | | Adelaide | Einsam wandelt dein Freund | | | 1795 | | Song |
| 47 | | | Sonata No. 9 for violin with piano "Kreutzer" | Originally dedicated to Bridgetower, but Beethoven withdrew the dedication after a quarrel and dedicated it to Kreutzer instead. | A+ | | 1803 | 34:30 | Piano Sonata |
| 48 | | | 6 Lieder nach Gedichten von Gellert | Six songs after poems from Gellert. | | | 1802 | 19:00 | Song |
| 49:1 | | | Piano Sonata No. 19 in G minor | | G- | | 1797 | 8:00 | Piano Sonata |
| 49:2 | | | Piano Sonata No. 20 in G major | | G+ | | 1796 | 8:00 | Piano Sonata |
| 50 | | | Romance No. 2 for Violin & Orchestra | | F+ | | 1798 | 10:00 | Romance |
| 51:1 | | | Rondo for Piano in C major Op. 51-1 | | C+ | | 1797 | 5:00 | Rondo |
| 51:2 | | | Rondo for Piano in G major | | C+ | | 1798 | 7:30 | Rondo |
| 52 | | | 8 songs opus 52 | 8 songs written between 1785 and 1793. | | | 1793 | 19:00 | Song |
| 53 | | | Piano Sonata No. 21 "Waldstein-Sonate" | | C+ | | 1804 | 22:00 | Piano Sonata |
| 54 | | | Piano Sonata No. 22 in F major | | F+ | | 1804 | 12:00 | Piano Sonata |
| 55 | | | Symphony No. 3 "Eroica" | | Eb- | | 1803 | 47:30 | Symphony |
| 56 | | | Concerto "Tripelkonzert" | Concerto for Piano, Violin, Cello & Orchestra. | C+ | | 1805 | 27:00 | Concerto |
| 57 | | | Piano Sonata No. 23 "Appassionata" | | F- | | 1805 | 25:00 | Piano Sonata |
| 58 | | | Piano concerto No. 4 in G major | | G+ | | 1807 | 37:30 | Concerto |
| 59:1 | | | String Quartet No. 7 "Rasumowsky-Quartett" #1 | | F+ | | 1806 | 40:00 | String quartet |
| 59:2 | | | String Quartet No. 8 "Rasumowsky-Quartett" #2 | | E- | | 1806 | 36:30 | String quartet |
| 59:3 | | | String Quartet No. 9 "Rasumowsky-Quartett" #3 | | C+ | | 1806 | 32:00 | String quartet |
| 60 | | | Symphony No. 4 in B flat major | | Bb+ | | 1806 | 35:00 | Symphony |
| 61 | | | Concerto for Violin & Orchestra | Also arranged as a piano concerto (same Opus). | D+ | | 1806 | 47:00 | Concerto |
| 61P | | | Concerto for Piano & Orchestra | After the violin concerto | D+ | | 1806 | | Concerto |
| 62 | | | Overture "Coriolan" | | | | 1807 | 9:00 | Overture |
| 63 | | | Piano Trio in E flat major Op. 63 | | Eb+ | | | | Piano trio |
| 64 | | | Sonata for Piano & Cello in E flat major | | Eb+ | cel,pno | | | Sonata |
| 65 | | | Aria: "Ah! Perfido" | | | | 1796 | | Song |
| 66 | | | Variations for Cello on Mädchen/Weibchen | 12 Variations for Piano & Cello on "Ein Mädchen oder Weibchen" from Mozarts "Zauberflöte". | F+ | cel,pno | 1796 | 10:00 | Variations |
| 67 | | | Symphony No. 5 in C minor | | C- | | 1808 | 33:00 | Symphony |
| 68 | | | Symphony No. 6 "Pastorale" | | F+ | orc | 1808 | 45:00 | Symphony |
| 69 | | | Sonata No. 3 for Piano & Cello in A major | | A+ | | 1808 | 25:00 | Sonata |
| 70:1 | | | Piano Trio "Geister-Trio" | Geister = Ghost. | D+ | | 1808 | 29:00 | Piano trio |
| 70:2 | | | Piano Trio in E flat major Op. 70:2 | | Eb+ | | 1808 | 40:00 | Piano trio |
| 71 | | | Sextet for Clarinets, Horns & Bassoons | | Eb+ | cha | 1796 | 20:30 | |
| 72 | | | Overture "Leonore II" | Written for the 1805 version of "Leonore". | | | 1805 | | Overture |
| 72a | | | Overture "Leonore III" | Written for the 1806 version of "Leonore". | | | 1806 | 13:00 | Overture |
| 72a:2 | | | Opera "Leonore II" | Opera: "Leonore, oder Der Triumph der ehelichen Liebe" (Leonore, or The Triumph of Married Love). | | | 1805 | | Opera |
| 72b | | | Overture "Fidelio" | | | | 1814 | | Overture |
| 72b:2 | | | Opera "Leonore III" | Opera: "Leonore, oder Der Triumph der ehelichen Liebe" (Leonore, or The Triumph of Married Love). | | | 1806 | | Opera |
| 72c:2 | | | Opera "Fidelio" | | | | 1814 | | Opera |
| 73 | | | Piano Concerto No. 5 "Emperor" | | Eb+ | orc,pno | 1809 | 40:00 | Piano concerto |
| 74 | | | String Quartet No. 10 "Harfenquartett" | Harp quartet. | Eb+ | | 1809 | 32:00 | String quartet |
| 75 | | | 6 songs op. 75 | | | | 1809 | 15:30 | Song |
| 76 | | | 6 Variations for Piano on a original theme | | D+ | pno | 1809 | 7:00 | |
| 77 | | | Fantasia for Piano in G minor | | G- | pno | 1809 | 9:30 | Fantasy |
| 78 | | | Piano Sonata No. 24 "À Thérèse" | | F#+ | | 1809 | 8:00 | Piano Sonata |
| 79 | | | Piano Sonata No. 25 in G major | | G+ | | 1809 | 8:00 | Piano Sonata |
| 80 | | | Chorfantasie (Choral Fantasy) | Fantasia for Piano, Chorus & Orchestra. | C- | | 1809 | 20:00 | Fantasy |
| 81a | | | Piano Sonata No. 26 "Les Adieux" | "Das Lebewohl, Abwesenheit und Wiedersehen" | Eb+ | | 1810 | 17:30 | Piano Sonata |
| 81b | | | Sextet for Horns, Violins, Viola & Cello | | Eb+ | cha | 1795 | 17:00 | |
| 82 | | | Four Ariettas and a Duet | | | | 1810 | 11:30 | Song |
| 83 | | | Three songs | Drei Gesänge | | | 1810 | 7:00 | Song |
| 84 | | | Overture and incidental music "Egmont" | Overture and incidental Music to Goethes Tragedy. | F- | | 1810 | 8:00 | Overture |
| 85 | | | Oratorio: "Christus am Ölberge" | Christus am Ölberge = Christ on the Mount of Olives. | | | 1804 | 55:30 | Oratorio |
| 86 | | | Mass in C major | | C+ | | 1807 | 42:30 | Mass |
| 87 | | | Trio for Oboes & English Horn | | C+ | eho,obo2 | 1795 | 24:00 | |
| 88 | | | Vita felice | | | | 1803 | | Song |
| 89 | | | Polonaise for Piano in C major | Alla polacca, vivace | C+ | pno | 1814 | 6:00 | |
| 90 | | | Piano Sonata No. 27 in E minor | | E- | | 1814 | 14:00 | Piano Sonata |
| 91 | | | Wellington's Victory (Battle symphony) | | | | 1813 | | Symphony |
| 92 | | | Symphony No. 7 in A major | | A+ | | 1812 | 38:00 | Symphony |
| 93 | | | Symphony No. 8 in F major | | F+ | | 1812 | 26:30 | Symphony |
| 94 | | | An die Hoffnung | From Tiedges "Urania": first setting is opus 32. | | | 1815 | | Song |
| 95 | | | String Quartet No. 11 "Quartetto serioso" | | F- | | 1811 | 20:00 | String quartet |
| 96 | | | Sonata No. 10 for Piano & Violin in G major | | G+ | | 1812 | 29:00 | Sonata |
| 97 | | | Piano Trio no. 7 "Archduke" | In german: "Erzherzogs-Trio" . | Bb+ | | 1815 | 41:30 | Piano trio |
| 98 | | | An die ferne Geliebte | An die ferne Geliebte = To the distant beloved. | | | 1816 | 12:30 | Song cycle |
| 99 | | | Der Mann von Wort | Der Mann von Wort = The man of his word | | | 1816 | | Song |
| 100 | | | Merkenstein (Op. 100) | Rewrite of WoO 144. | | | 1815 | | Song |
| 101 | | | Piano Sonata No. 28 in A major | | A+ | | 1816 | 18:00 | Piano Sonata |
| 102:1 | | | Sonata No. 4 for Piano & Cello in C major | | C+ | | 1815 | 14:30 | Sonata |
| 102:2 | | | Sonata No. 5 for Piano & Cello in D major | | D+ | | 1815 | 17:30 | Sonata |
| 103 | | | Octet for Oboes, Clarinets, Horns & Bassoons | Revised in 1796 as the String Quintet Opus 4 | Eb+ | bsn2,cla2,hor2,obo2 | 1793 | 22:30 | |
| 104 | | | String Quintet in C minor: | | C- | | 1817 | | String Quintet |
| 105 | | | 6 sets of Themes & Variations | | | | 1818 | | Variations |
| 106 | | | Piano Sonata No. 29 "Hammerklavier" | | Bb+ | | | 52:30 | Piano Sonata |
| 107 | | | 10 Variations for piano & flute | | | flu,pno | 1820 | 47:30 | |
| 108 | | | 25 Scottish songs | | | | 1817 | | Song |
| 109 | | | Piano Sonata no. 30 in E major | | E+ | | 1820 | 19:00 | Piano Sonata |
| 110 | | | Piano Sonata no. 31 in A flat major | Some editions see this as a sonata in 3 parts. Parts 3 and 4 are then taken together. | Ab+ | | 1822 | 20:30 | Piano Sonata |
| 111 | | | Piano Sonata No. 32 in c minor | | C- | | 1822 | 30:00 | Piano Sonata |
| 112 | | | Meeresstille & glückliche Fahrt | Meeresstille & glückliche Fahrt = Calm Sea & Prosperous Voyage. | | | 1815 | 8:30 | Cantata |
| 113 | | | Overture &Singspiel "Die Ruinen von Athen" | Die Ruinen von Athen = The Ruins of Athens | | | 1811 | | Overture |
| 114 | | | Die Weihe des Hauses (march) | March for Orchestra & Chorus. Aptation of no. 6 from "Die Ruinen von Athen". | | | 1822 | | March |
| 115 | | | Overture "Zur Namensfeier" | Zur Namensfeier = Name-Day. | C+ | | 1815 | | Overture |
| 116 | | | Trio "Tremate, empi, tremate" | Trio for soprano, tenor, & bass w/ orchestra | | bas,sop,ten,orc | 1814 | | Song |
| 117 | | | Singspiel "König Stephan" | | Eb+ | | 1811 | | Singspiel |
| 118 | | | Elegischer Gesang (Elegiac Song) | 4 voices with string quartet or piano. | | | 1814 | | Song |
| 119 | | | 11 Bagatelles op. 119 | | | pno | 1822 | 16:00 | |
| 120 | | | 33 Variations on a Waltz by Diabelli | | C+ | pno | 1823 | 50:00 | |
| 121a | | | Piano trio no. 11 | 10 Variations on Wenzel Müllers song "Ich bin der Schneider Kakadu" (Im Cockatoo, the Tailor) from "Die Schwestern von Prag". | G+ | | 1816 | 18:00 | Piano trio |
| 121b | | | Opferlied | Two versions: from 1822 and 1824. | | cho,orc | 1824 | | |
| 122 | | | Bundeslied | Bundeslied = Song of Fellowship | | cho,orc | 1824 | | |
| 123 | | | Missa solemnis | Beethoven wrote the Missa Solomnis between 1818 and 1823. | | | 1823 | 1:11:00 | Mass |
| 124 | | | Overture "Die Weihe des Hauses" | Die Weihe des Hauses = The Consecration of the House. | C+ | | 1822 | 12:00 | Overture |
| 125 | | | Symphony No. 9 "choral" | | D- | | 1824 | 1:09:00 | Symphony |
| 126 | | | 6 Bagatelles for piano op. 126 | | | pno | 1824 | 19:00 | |
| 127 | | | String Quartet No. 12 in E flat major | | Eb+ | | 1825 | 37:00 | String quartet |
| 128 | | | Der Kuß (The Kiss) | Der Kuß = The Kiss. "Ich var bei Chloen ganz allein" | | | 1822 | | Song |
| 129 | | | Rondo "The Rage over the lost penny" | Alla ingharese quasi un Capriccio. Rondo A Capriccio for Piano in G major: "Die Wut über den verloren Groschen" (Rage over a Lost Penny). | G+ | pno | 1795 | 6:00 | Rondo |
| 130 | | | String Quartet No. 13 in B flat major | 3 versions:
- with Große Fuge
- without Große Fuge
- alternate finale | Bb+ | | 1826 | 42:00 | String quartet |
| 131 | | | String Quartet No. 14 in C sharp minor | | C#- | | 1826 | 43:00 | String quartet |
| 132 | | | String Quartet No. 15 in A minor | | A- | | 1825 | 44:00 | String quartet |
| 133 | | | Große Fuge in B flat major | Original finale of opus 130 | Bb+ | | 1826 | 15:00 | String quartet |
| 134 | | | Piano arrangement (4 hands) of Grosse Fuge | Piano arrangement of Grosse Fuge | Bb+ | pno | 1826 | | |
| 135 | | | String Quartet No. 16 in F major | | F+ | | 1826 | 25:30 | String quartet |
| 136 | | | Cantata: "Der glorreiche Augenblick" | Der glorreiche Augenblick = The Glorious Moment | | | 1814 | | Cantata |
| 137 | | | Fugue for String Quintet in D major | | D+ | | 1817 | | String Quintet |
| 138 | | | Overture "Leonore I" | | C+ | | 1807 | | Overture |
| | 19 | | Quintet for Oboe, 3 Horns, and Bassoon | Incomplete, first movement completed by Leopold Alexander Zellner (1823-1894) in 1862 | Eb+ | obo,hor3,bsn | | 13:00 | |
| A5:1 | | | Sonatina for Piano in G major | | | pno | 1792 | 3:30 | |
| A5:2 | | | Sonatina for Piano in F major | | | pno | 1792 | 4:00 | |
| H107 | | | Grenadier March for Mechanical Clock | WoO 29 for musical clock. | F+ | | 1798 | | March |
| H115 | | | Vesta's fire | Vesta's Feuer. Unfinished: fragment of first scene. Words: Emanuel Schikaneder. | | cho,orc,voc | 1803 | | |
| H13 | | | Romance Cantabile in E minor Hess 13 | Romance for Piano, Flute, Bassoon & Orchestra in E minor. Reconstructed. | E- | | 1786 | | Romance |
| H133 | | | Das liebe Kätzchen | Unsa Kaz had Kazln ghabt. | | | 1820 | | Song |
| H134 | | | Der Knabe auf dem Berge | Duart obn afm Beargerl gu gu. | | | 1820 | | Song |
| H210 | | | Fra tutte le pene | Quartet for Solo Voice(s). | | | | | Song |
| H228 | | | Salvo tu vuoi lo sposo? | | C+ | | 1803 | | Duet |
| H231 | | | Sei mio ben | | C+ | | 1803 | | Duet |
| H274 | | | Canon à 2 in G major | Without text. | G+ | | 1803 | | Canon |
| H275 | | | Canon à 2 in A flat major | | Ab+ | | 1803 | | Canon |
| H276 | | | Herr Graf, ich komme zu fragen | 3-part Canon. | | | 1797 | | Canon |
| H277 | | | Esel aller Esel | 2-part Canon in F major: "Esel aller Esel, hi ha"; 2-part canon with free additional part. | F+ | | 1826 | | Song |
| H29 | | | Prelude and Fugue in E minor | For 2 violins and cello. | E- | cel,vln | | | Prelude |
| H30 | | | Prelude and Fugue in F major | | F+ | | 1795 | | String quartet |
| H31 | | | Prelude and Fugue in C major Hess 31 | | C+ | | 1795 | | String quartet |
| H32 | | | String Quartet in F major Hess 32 | | F+ | | 1799 | | String quartet |
| H33 | | | Minuet in A flat major Hess 33 | | Ab+ | | 1792 | | String quartet |
| H34 | | | String Quartet in F major Hess 34 | | F+ | | 1802 | | String quartet |
| H48 | | | Allegretto for piano trio in E flat major | | Eb+ | | 1792 | | Piano trio |
| H64 | | | Fugue in C major Hess 64 | | | pno | 1795 | 1:30 | Fugue |
| H69 | | | Allegretto in C minor | | C- | pno | 1796 | 2:45 | |
| W1 | | | Ritterballet | Music for a ballet of knights | | | 1791 | | Ballet |
| W10 | | | 6 minuets for Orchestra WvO 10 | Surviving piano version. | | | 1795 | | Menuet |
| W100 | | | Joke "Lob auf den Dicken" | First line: "Schuppanzigh ist ein Lump". | G+ | | 1801 | | Song |
| W101 | | | Joke "Graf, liebster Graf, liebstes Schaf" | | Eb+ | | 1802 | | Song |
| W102 | | | Abschiedsgesang | Abschiedsgesang = Song of Farewell. For tenor & 2 basses. First line: "Die Stunde schlägt". | | | 1814 | | Song |
| W103 | | | Cantata "Un lieto brindisi" | "Un lieto brindisi: Cantata campestre" for 4 voices & piano acc "Johannisfeier begehn wir heute". | Bb+ | | 1814 | | Cantata |
| W104 | | | Gesang der Mönche | Gesang der Mönche = Song of the Monks. From Schillers "William Tell". First line: "Rasch tritt der Tod den Menchen an". | | | 1817 | | Song |
| W105 | | | Hochzeitslied | First line: "Auf Freunde, singt dem Gott der Ehen!".
Two versions:
- For bass, chorus & piano.
- unison | C+ | | 1819 | | Song |
| W106 | | | Birthday cantata for prince Lobkowitz | For soprano, chorus & piano | | | 1823 | | Cantata |
| W107 | | | Schilderung eines Mädchens | Schildern, willst du Freund, soll ich dir Elisen? | | | 1782 | | Song |
| W108 | | | An einen Säugling | Noch weisst du nicht, wes Kind du bist. | | | 1783 | | Song |
| W109 | | | Trinklied | First line: "Erhebt das Glas mit froher Hand". | C+ | | 1792 | | Song |
| W11 | | | 7 Ländlerische Tänze | Original for Violins and Cello. Surviving piano version. | D+ | pno | 1799 | | |
| W110 | | | Elegie auf den Tod eines Pudels | First line: "Stirb immerhin, es welken ja so viele der Freuden". | F- | | 1790 | | Song |
| W111 | | | Punschlied | Wer nicht, wenn warm von Hand zu Hand. | G+ | | 1792 | | Song |
| W112 | | | An Laura | First line: "Freud umblühe dich auf allen Wegen". | G+ | | 1792 | | Song |
| W113 | | | Klage | First line: "Dein Silver schien durch Eichengrün". | E+ | | 1790 | | Song |
| W114 | | | Ein Selbstgespräch | First line: "Ich, der mit flatterndem Sinn". | E+ | | 1793 | | Song |
| W115 | | | An Minna | First line: "Nur bei dir, an deinem Herzen". | D+ | | 1792 | | Song |
| W116 | | | Que le temps me dure | Two versions:
1. in C minor
2. in C major | | | 1793 | | Song |
| W117 | | | Der freie Mann | First line: "Wer ist ein freier Mann?". | C+ | | 1794 | | Song |
| W118 | | | Seufzer eines Ungeliebten | | | | 1795 | | Song |
| W119 | | | O care selve | | G+ | | 1795 | | Song |
| W12 | | | 12 Minuets for Orchestra; | Authorship not certain | | | 1799 | | Menuet |
| W120 | | | Man strebt, die Flamme zu verhehlen | | F+ | | 1802 | | Song |
| W121 | | | Abschiedsgesang an Wiens Bürger | | G+ | | 1796 | | Song |
| W122 | | | Kriegslied der Osterreicher | First line: "Ein grosses deutches Volk sind wir". | C+ | | 1797 | | Song |
| W123 | | | Zärtliche Liebe | Zärtliche Liebe = Tender Love. First line: "Ich liebe dich, so wie du mich". | G+ | | 1795 | | Song |
| W124 | | | La partenza (The farewell) | First line: "Ecco quel fiero istante!". | A+ | | 1795 | | Song |
| W125 | | | La tiranna | Canzonetta; "Ah grief to think!". | Eb+ | | 1799 | | Song |
| W126 | | | Opferlied (Sacrificial Song) | Opferlied = Sacrificial Song. First line: "Die Flamme lodert". | E+ | | 1795 | | Song |
| W127 | | | Neue Liebe, neues Leben | Neue Liebe, neues Leben = New love, new life. First line: "Herz, mein Herz, was soll das geben?". | C+ | | 1799 | | Song |
| W128 | | | Plaisir d'aimer | | G+ | | 1799 | | Song |
| W129 | | | Der Wachtelschlag | Der Wachtelschlag = The Quails Call. First line: "Ach, wie schalts dorten so lieblich hervor". | F+ | | 1803 | | Song |
| W13 | | | 12 German Dances WoO 13 | surviving piano version | | | 1797 | | Dances |
| W130 | | | Gedenke mein | | C- | | 1820 | | Song |
| W131 | | | Sketch "Erlkönig" | Unfinished. First line: "Wer reitet so spat durch Nacht und Wind?". | D- | | 1796 | | Song |
| W132 | | | Als die Geliebte sich trennen wollte | First line: "Der Hoffnung letzter Schimmer sinkt dahin". | Eb+ | | 1806 | | Song |
| W133 | | | In questa tomba oscura | In questa tomba oscura = in this dark Tomb. | | | 1807 | | Song |
| W134 | | | Sehnsucht (in 4 settings) | First line: "Nur wer die Sehnsucht kennt". | | | 1808 | | Song |
| W135 | | | Die laute Klage | First line: "Turtletaube, du klagtest so laut". | C- | | 1815 | | Song |
| W136 | | | Andenken (Memories) | First line: "Ich denke dein". | D+ | | 1808 | | Song |
| W137 | | | Gesang aus der Ferne | Gesang aus der Ferne = Song from far away. First line: "Als mir noch die Träne". | Bb+ | | 1809 | | Song |
| W138 | | | Der Jüngling in der Fremde | First line: "Der Früling entblühet dem Schoß der Natur". | Bb+ | | 1809 | | Song |
| W139 | | | Der Liebende | First line: "Welch ein wunderbares Leben" | D+ | | 1809 | | Song |
| W14 | | | 12 Contredanses | | | | 1802 | | Dances |
| W140 | | | An die Geliebte (in 2 settings) | First line: "O daß ich dir vom stillen Auge". | | | 1811 | | Song |
| W141 | | | Der Gesang der Nachtigall | First line: Höre, die Nachtigall singt". | C+ | | 1813 | | Song |
| W142 | | | Der Bardengeist | First line: "Dort auf dem hohen Felsen sang". | E- | | 1813 | | Song |
| W143 | | | Des Kriegers Abschied | First line: "Ich zieh ins Feld von Liebentbrannt". | Eb+ | | 1814 | | Song |
| W144 | | | Merkenstein (1st setting) | | Eb+ | | 1814 | | Song |
| W145 | | | Das Geheimnis | First line: "Wo blüht das Blümchen, das nie verblüht?". | G+ | | 1815 | | Song |
| W146 | | | Sehnsucht (Longing) | First line: "Die stille Nacht umdunkelt". | E+ | | 1816 | | Song |
| W147 | | | Ruf vom Berge | First line: "Wenn ich ein Vöglein wär". | A+ | | 1816 | | Song |
| W148 | | | So oder so | First line: "Nord oder Süd!". | F+ | | 1817 | | Song |
| W149 | | | Resignation | First line: "Lisch aus, mein Licht!". | D+ | | 1817 | | Song |
| W15 | | | 6 Ländlerische Tänze WoO 15 | 6 country dances. From every dance are two versions: for 2 violins & Bass and for piano. | | | 1802 | | Dances |
| W150 | | | Abendlied unter'm gestirnten Himmel | Abendlied unterm gestirnten Himmel = Evening Song beneath the Starry Sky. First line: "Wenn die Sonne nieder sinket". | E+ | | 1820 | | Song |
| W151 | | | Der edle Mensch sei hülfrei | | G+ | | 1823 | | Song |
| W152 | | | 25 Irish songs | | | | 1810 | | Song |
| W153 | | | 20 Irish songs WoO 153 | | | | 1810 | | Song |
| W154 | | | 12 Irish songs WoO 154 | 1 2:45 The Elfin Fairies
2 4:30 O harp of Erin
3 2:45 The Farewell Song
4 2:30 The pulse of an Irishman
5 2:15 O Who, my dear Dermot
6 2:30 Put round the bright wine
7 4:00 From Garyone, my happy gome
8 2:00 Save me from the grave and wise
9 | | | 1813 | | Song |
| W155 | | | 26 Welsh songs WoO 155 | | | | 1810 | | Song |
| W156 | | | 12 Scottish songs WoO 156 | | | | 1819 | | Song |
| W157 | | | 12 assorted folk songs WoO 157 | | | | 1817 | | Song |
| W158a | | | 23 continental folk songs WoO 158a | | | | 1817 | | Song |
| W158b | | | 7 British songs | | | | 1815 | | Song |
| W158c | | | 6 Assorted folk songs WoO 158c | | | | 1817 | | Song |
| W159 | | | Canon "Im Arm der Liebe ruht sich's wohl" | 3-part Canon. | F+ | | 1795 | | Canon |
| W16 | | | 12 Ecossaises | The original works got lost. These are derived from foreign arrangements. | | | 1807 | | Ecossaise |
| W160 | | | 2 Canons without text | | | | 1795 | | Canon |
| W161 | | | Canon "Ewig dein!" | Ewig dein! = Forever thine! | C+ | | 1811 | | Song |
| W162 | | | Canon "Ta ta ta, lieber Mälzel" | 4-part Canon. | Bb+ | | 1812 | | Canon |
| W163 | | | Kurz ist der Schmerz, und ewig ist die Freude | 3-part Canon. Kurz ist der Schmerz, und ewig ist die Freude = Suffering is transitory, but joy is eternal. | F- | | 1813 | | Canon |
| W164 | | | Friendship is the source of true bliss | 3-part Canon. Freundschaft ist die Quelle wahrer Glückseligkeit = Friendship is the source of true bliss. | C+ | | 1814 | | Canon |
| W165 | | | Canon "Glück zum neuen Jahr!" | 4-part Canon. | | | 1815 | | Canon |
| W166 | | | Canon "Kurz ist der Schmerz" | 3-part Canon. Kurz ist der Schmerz, und ewig ist die Freude = Suffering is transitory, but joy is eternal. | F+ | | 1815 | | Canon |
| W167 | | | Canon "Brauchle, Linke" | 3-part Canon. | C+ | | 1815 | | Canon |
| W168 | | | 2 Canons: "Das Schweigen" and "Das Reden" | 2 3-part canons: "keeping silent" and "talking". | F+ | | 1816 | | Canon |
| W169 | | | Riddle-canon "Ich küsse Sie" | 2-part riddle-canon. | | | 1816 | | Canon |
| W17 | | | 11 Mödlinger Tänze | 11 Moedling Dances. | | | 1819 | | Dances |
| W170 | | | Canon "Ars longa, vita brevis" | 2-part Canon. | C+ | | 1816 | | Canon |
| W171 | | | Canon "Glück fehl' dir vor allem!" | 4-part Canon. | G+ | | 1817 | | Canon |
| W172 | | | Canon "Ich bitt' dich" | 3-part Canon. "Ich bitt dich, schreib mir die Es-Scala auf". | Eb+ | | 1818 | | Canon |
| W173 | | | Riddle Canon "Hol' euch der Teufel!" | 2-part Riddle Canon | Bb+ | | 1819 | | Canon |
| W174 | | | Canon "Glaube und hoffe" | 4-part Canon. | Bb+ | | 1819 | | Canon |
| W175 | | | Riddle Canon "Sankt Petrus war ein Fels" | 4-part Riddle Canon. | | | 1820 | | Canon |
| W176 | | | Canon "Glück zum neuen Jahr!" WoO 176 | 3-part Canon. 2nd setting. | F+ | | 1819 | | Canon |
| W177 | | | Canon "Bester Magistrat, Ihr friert" | Canon for 2 male voices & 2 double-basses. | E+ | | 1820 | | Canon |
| W178 | | | Canon "Signor Abate" | 3-part Canon | Bb+ | | 1820 | | Canon |
| W179 | | | Canon "Alles Gute, alles Schöne" | Intro & 4-part Canon. "Seiner Kaiserlichen Hoheit...alles Gute, alles Schöne". | C+ | | 1819 | | Canon |
| W18 | | | March & Trio "York'scher March" | Yorkscher March für die bohmische Landwehr (Yorck march) | F+ | | 1810 | 1:30 | March |
| W180 | | | Canon "Hoffmann, sei ja kein Hofmann" | 2-part Canon. | C+ | | 1820 | | Canon |
| W181 | | | 3 Canons WoO 181 | | C+ | | 1820 | | Canon |
| W182 | | | Canon "O Tobias!" | 3-part Canon | D- | | 1821 | | Canon |
| W183 | | | Canon "Bester Herr Graf, Sie sind ein Schaf" | 4-part Canon. | F+ | | 1823 | | Canon |
| W184 | | | Canon "Falstafferel, lass dich sehen!" | 5-part Canon. | G+ | | 1823 | | Canon |
| W185 | | | Canon "Edel sei der Mensch" | 6-part Canon. | | | 1823 | | Canon |
| W186 | | | Canon "Te solo adoro" | 2-part Canon. | Eb+ | | 1824 | | Canon |
| W187 | | | Canon "Schwenke dich ohne Schwänke" | 4-part Canon. | F+ | | 1824 | | Canon |
| W188 | | | Canon "Gott ist eine feste Burg" | 2-part Riddle Canon. | Bb+ | | 1825 | | Canon |
| W189 | | | Canon "Doktor, sperrt das Tor dem Tod" | 4-part Canon. | C+ | | 1825 | | Canon |
| W19 | | | March & Trio for Wind Band in F major | | F+ | | 1810 | 1:45 | March |
| W190 | | | Canon "Ich war hier, Doktor, ich war hier" | 2-part Canon. | C+ | | 1825 | | Canon |
| W191 | | | Canon "Kühl, nicht lau" | 3-part Canon. | Bb+ | | 1825 | | Canon |
| W192 | | | Riddle Canon "Ars longa, vita brevis" (v2) | 4-part Riddle Canon. Second version of WoO 170. | F+ | | 1825 | | Canon |
| W193 | | | Riddle Canon "Ars longa, vita brevis" (v3) | 4-part Riddle Canon. Third version of WoO 170. | C+ | | 1825 | | Canon |
| W194 | | | Riddle Canon "Si non per portas, per muros" | | F+ | | 1825 | | Canon |
| W195 | | | Canon "Freu dich des Lebens" | 2-part Canon. | A- | | 1825 | | Canon |
| W196 | | | Riddle Canon "Es muß sein!" | 4-part Riddle Canon. | F+ | | 1826 | | Canon |
| W197 | | | Canon "Das ist das Werk, sorgt um das Geld!" | 5-part Canon. | C+ | | 1826 | | Song |
| W198 | | | Riddle Canon "Wir irren allesamt" | 2-part Riddle Canon. | C+ | | 1826 | | Canon |
| W199 | | | Joke "Ich bin der Herr von zu" | Ich bin der Herr von zu = I am the man for you | D+ | | 1814 | | |
| W2 | | | March and Entr'acte for "Tarpeja" | Drama by Dhristoph Kuffner. | C+ | | 1813 | | Opera |
| W20 | | | March & Trio "Zapfenstreich" (The Tattoo) | Zapfenstreich = The Tattoo | C+ | | 1822 | 4:00 | March |
| W200 | | | Piece for Piano "O Hoffnung!" | | G+ | pno | 1818 | | |
| W201 | | | Joke "Ich bin bereit! Amen" | Ich bin bereit! = I am ready. | C+ | | 1818 | | Song |
| W202 | | | Riddle Canon "Das Schöne zum Guten" (no. 1) | First version. | F+ | | 1823 | | Canon |
| W203 | | | Riddle Canon "Das Schöne zu dem Guten" (2) | Second version | A+ | | 1825 | | Canon |
| W204 | | | Joke "Holz, Holz, geigt die Quartette so" | Holz, Holz, geigt die Quartette so = Holz, Holz, you play the quartets as if you were chopping cabbage. | D- | | 1825 | | |
| W205 | | | 10 musical jokes in letters | A collection of 10 musical jokes in letters, written between 1798 and 1826. | | | | | |
| W21 | | | Polonaise for Wind Band in D major | | D+ | | 1810 | 2:45 | Dances |
| W22 | | | Ecossaise for Wind Band in D major | | D+ | | 1810 | 1:30 | Ecossaise |
| W23 | | | Ecossaise for Wind Band in G major | Reconstruction | G+ | | 1810 | | Ecossaise |
| W24 | | | March for Wind Band in D major | | D+ | | 1816 | 7:30 | March |
| W25 | | | Rondino for wind in E flat major | Rondino for Oboes, Clarinets, Horns & Bassoons. | Eb+ | | 1793 | 6:30 | Rondo |
| W26 | | | Duo for Flutes in G major | | G+ | flu | 1792 | | |
| W27 | | | 3 Duos for clarinet and bassoon | Doubtfull authorship. Probably written between 1820 and 1815 | C+ | bsn,cla | 1812 | | |
| W28 | | | Variations on "Là ci darem la mano" | Variations for Oboes & English Horn in C major: on "Là ci darem la mano" from Mozarts opera "Don Giovanni" | C+ | | 1795 | 9:30 | Variations |
| W29 | | | March "Grenadiermarsch" | March for Clarinets, Horns & Bassoons in B flat major: "Grenadiermarsch" | Bb+ | | 1798 | 1:15 | March |
| W3 | | | Gratulations - Menuett | | Eb+ | | 1822 | | Menuet |
| W30 | | | 3 Equali for Trombones | 1 2:00 in D minor: Andante
2 1:00 in D major: Poco Adagio
3 1:30 in B flat major: Poco sostenuto | | trb | 1812 | 4:30 | |
| W31 | | | Fugue for Organ in D major | | D+ | org | 1783 | | Fugue |
| W32 | | | Duo "mit zwei obligaten Augengläsern" | mit zwei obligaten Augengläsern = with 2 obbligato eyeglasses | Eb+ | cel,vln | 1797 | | |
| W33 | | | 5 Pieces for Musical Clock | 5 pieces for musical clock or flute. | | flu | 1799 | 18:00 | |
| W34 | | | Duo for Violins in A major | for Alexandre Boucher | A+ | vln | 1822 | | |
| W35 | | | Canon in A major for 2 violins | Canon in A major: for 2 violins or for 2 cellos; for Samson de Boer. | A+ | vln | 1825 | | Canon |
| W36:1 | | | Piano Quartet in E flat major WoO 36-1 | | Eb+ | | 1785 | | Piano quartet |
| W36:2 | | | Piano Quartet in D major | | D+ | | 1785 | | Piano quartet |
| W36:3 | | | Piano Quartet in C major | | C+ | | 1785 | | Piano quartet |
| W37 | | | Trio for Piano, Flute & Bassoon in G major | | G+ | bsn,flu,pno | 1786 | 12:00 | |
| W38 | | | Piano Trio No. 8 in E flat major | | Eb+ | | 1791 | | Piano trio |
| W39 | | | Allegretto for Piano Trio in B flat major | | Bb+ | | 1812 | 5:30 | Piano trio |
| W4 | | | Piano concerto in E flat major | | Eb+ | | 1784 | | Piano concerto |
| W40 | | | 12 Variations on the theme "Se vuol ballare" | 12 Variations for Piano & Violin on the theme "Se vuol ballare" from Mozarts opera "The Marriage of Figaro". | F+ | pno,vln | 1793 | | |
| W41 | | | Rondo for Piano & Violin in G major | | G+ | | 1794 | | Rondo |
| W42 | | | 6 German Dances for Piano & Violin | Allemandes in F, D, F, A, D and G. | | pno,vln | 1796 | | |
| W43a | | | Sonatine for Mandolin & Piano in C minor | | C- | man,pno | 1796 | | |
| W43b | | | Adagio for Mandolin & Piano in E flat major | | Eb+ | man,pno | 1796 | | Adagio |
| W44a | | | Sonatine for Mandolin & Piano in C major | | C+ | man,pno | 1796 | | |
| W44b | | | Andante for Mandolin & Piano in D major | Andante con Variazioni | D+ | man,pno | 1796 | | Andante |
| W45 | | | 12 Variations on "See the hero comes" | 12 Variations on "See the conquering hero comes" from Handels oratorio "Judas Maccabaeus". | G+ | cel,pno | 1796 | | |
| W46 | | | 7 Variations on "Männern welche Liebe fühlen" | 7 Variations on the duet "Bei Männern, welche Liebe fühlen" from Mozarts "Zauberflöte". | Eb+ | cel,pno | 1801 | 9:30 | |
| W47:1 | | | Kurfürstensonate #1 | English name: "Electoral". | Eb+ | | 1783 | 10:30 | Piano Sonata |
| W47:2 | | | Kurfürstensonate #2 | English name: "Electoral". | F- | | 1783 | 14:30 | Piano Sonata |
| W47:3 | | | Kurfürstensonate #3 | English name: "Electoral". | D+ | | 1783 | 14:30 | Piano Sonata |
| W48 | | | Rondo for Piano in C major WoO 48 | | C+ | | 1783 | 2:15 | Rondo |
| W49 | | | Rondo for Piano in A major | | A+ | | 1783 | 2:45 | Rondo |
| W5 | | | Violin Concerto in C major | | C+ | | 1792 | | Violin concerto |
| W50 | | | 2 Sonata Movements for Piano in F major | | F+ | | 1792 | 1:45 | Sonata |
| W51 | | | Easy Piano Sonata in C major | | C+ | | 1798 | 12:30 | Piano Sonata |
| W52 | | | Bagatelle for Piano in C minor: presto | | C- | pno | 1822 | | Bagatelle |
| W53 | | | Allegretto for Piano in C minor | | C- | pno | 1797 | | |
| W54 | | | Lustig - traurig for piano in C & c | Lustig - traurig = Merry - Sad | C+ | pno | 1802 | | |
| W55 | | | Prelude for Piano in F minor | | F- | pno | 1803 | 3:00 | Prelude |
| W56 | | | Bagatelle for Piano in C major: Allegretto | | C+ | | 1822 | | Bagatelle |
| W57 | | | Andante favori for piano | | F+ | pno | 1804 | | Andante |
| W58 | | | 2 Cadenzas for Mozarts piano concerto | For Mozarts piano concerto in d minor K 466 1st movement and 3rd movement. | D- | pno | 1809 | | |
| W59 | | | Für Elise | Bagatelle in A minor. | A- | pno | 1810 | 4:00 | |
| W6 | | | Rondo for Piano & Orchestra in B flat major | Fragment, completed by Carl Czerny. | Bb+ | | 1793 | | Rondo |
| W60 | | | Bagatelle for Piano "Zeimlich lebhaft" | Zeimlich lebhaft = A little lively. | Bb+ | | 1818 | 1:15 | Bagatelle |
| W61 | | | Allegretto for Piano in B minor | | B- | pno | 1821 | 2:00 | |
| W61a | | | Bagatelle for Piano in G minor | | G- | | 1825 | 0:40 | Bagatelle |
| W62 | | | Letzter musikalischer Gedanke | Letzter musikalischer Gedanke = last musical thought. Unfinished. | C+ | | 1826 | | String Quintet |
| W63 | | | 9 Variations for Piano in C minor | 9 Variations for Piano in C minor: on a march by Ernst Christoph Dressler. | C- | pno | 1782 | 7:30 | |
| W64 | | | 6 Variations on a Swiss air | 6 Variations for Piano or Harp. | F+ | har | 1792 | 3:00 | |
| W65 | | | 24 Variations on "Venni Amore" | 24 variations on Vincenzo Righinis arietta "Venni Amore" | D+ | pno | 1791 | 24:00 | |
| W66 | | | 13 Variations on "Ein alter Man" | 13 Variations on Dittersdorfs arietta "Es war einmal ein alter Mann" from "Das rote Käppchen". | A+ | pno | 1792 | 13:30 | |
| W67 | | | 8 Variations on a theme by Count Ferdinand | 8 Variations on a theme by Count Ferdinand von Waldstein | C+ | pfh | 1792 | | Variations |
| W68 | | | 12 Variations on "Menuett à la Viganò" | 12 Variations on the "Menuett à la Viganò" from Jakob Haibels ballet "Le nozze disturbate" | C+ | pno | 1795 | 11:30 | |
| W69 | | | 9 Variations on "Quant' è più bello" | 9 Variations on Giovanni Paisello's air "Quant' è più bello" from "La Molinara". | A+ | pno | 1795 | 5:00 | |
| W7 | | | 12 Minuets | | | | 1795 | | Menuet |
| W70 | | | 6 Variations on "Nel cor più non mi sento" | 6 Variations on the duet "Nel cor più non mi sento" from Giovanni Paisellos opera "La Molinara" | G+ | pno | 1795 | | |
| W71 | | | 12 Variations on a Russian dance | 12 Variations on a Russian dance from Paul Wranitskys ballet "Das Waldmädchen". | A+ | pno | 1797 | 11:00 | |
| W72 | | | 8 Variations on "Une fièvre brûlante" | 8 Variations on the Romance "Une fièvre brûlante" from Grétrys opera "Richard Cur de Lion" | C+ | pno | 1798 | 7:00 | |
| W73 | | | 10 Variations on "La stessa la stessissima" | 10 Variations on Salieris duet "La stessa la stessissima" from "Falstaff". Also known as the Salieri Variations. | B+ | pno | 1799 | 10:30 | |
| W74 | | | Ich denke dein | First line: "Ich denke dein, wenn mir der Sonne Schimmer" (from a poem by Goethe). Song with variations for piano duet (same opus number). | | | 1803 | 6:30 | Song |
| W75 | | | 7 Variations "Kind willst du ruhig schlafen?" | 7 Variations on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winters opera "Das unterbrochene Opferfest" | F+ | pno | 1799 | 12:00 | |
| W76 | | | 8 Variations on "Tändeln und Scherzen" | 8 Variations on the Trio "Tändeln und Scherzen" from Franz Xaver Süssmayrs opera "Soliman II" | F+ | pno | 1799 | 8:00 | |
| W77 | | | 6 Easy Variations on an original theme | 6 Easy Variations on an original theme | G+ | pno | 1800 | 7:00 | |
| W78 | | | 7 Variations on "God Save the King" | 7 Variations on the English folk song "God Save the King" | C+ | pno | 1803 | 7:30 | |
| W79 | | | 5 Variations on "Rule Britannia" | 5 Variations on the English song "Rule Britannia" from Arnes "Alfred" | D+ | pno | 1803 | | |
| W8 | | | 12 German Dances WoO 8 | | | | 1795 | | Dances |
| W80 | | | 32 Variations in C minor | | C- | pno | 1806 | 12:00 | |
| W81 | | | Allemande for Piano in A major | | A+ | pno | 1822 | 1:00 | Allemande |
| W82 | | | Minuet for Piano in E flat major | | Eb+ | pno | 1803 | 3:15 | |
| W83 | | | 6 Ecossaises for Piano in E flat major | | Eb+ | | 1806 | 2:30 | Ecossaise |
| W84 | | | Waltz for Piano in E flat major | | Eb+ | | 1824 | 1:45 | Waltz |
| W85 | | | Waltz for Piano in D major | | D+ | | 1825 | 0:40 | Waltz |
| W86 | | | Ecossaise for Piano in E flat major | | Eb+ | | 1825 | 0:30 | Ecossaise |
| W87 | | | Cantata on the Death of Joseph II | Trauerkantate auf den Tod Joseph II = cantata on the Death of Joseph II. | | | 1790 | | Cantata |
| W88 | | | Cantata: on the Accession of Leopold II | Kantate auf die Erhebung Leopold II zur Kaiserwürde = cantata on the Elevation of Leopold II to the Imperial Dignity. | | | 1790 | | Cantata |
| W89 | | | Aria "Prüfung des Küssens" | For bass & orchestra. First line: "Meine weise Mutter spricht". | F+ | | 1792 | | Song |
| W9 | | | 6 Minuets for Violin & Cello WoO 9 | | | | 1795 | | Menuet |
| W90 | | | Aria "Mit Mädeln sich vertragen" | For bass & orchestra. | D+ | | 1792 | | Song |
| W91 | | | 2 Arias for "The Beautiful shoemaker's wife" | 2 Arias for Ignaz Umlauf's Singspiel "The Beautiful Shoemaker's Wife or the Puce-Colored Shoes" | | | 1795 | | Song |
| W92 | | | Scene & Aria "Primo amore" | For soprano with orchestra. | A+ | | 1792 | | Song |
| W92a | | | Scene & Aria "No, non turbarti" | For soprano with string orchestra. | | | 1802 | | Song |
| W93 | | | Duet "Nei giorni tuoi felici" | Duo for for soprano & tenor with orchestra. | | | 1802 | | Song |
| W94 | | | Germania | For Orchestra, Chorus & Solo Voices. "Germania" is the finale for Trietschkes Singspiel "Die gute Nachricht" (The Good News). | Bb+ | | 1814 | | Song |
| W95 | | | Chor auf die verbündeten Fürsten | Chorus for Orchestra & Chorus.
Chor auf die verbündeten Fürsten = Chorus for the Allied Princes. First line: "Ihr weisen Gründer". | A+ | | 1814 | | Choir |
| W96 | | | Music for "Leonore Prohaska" | For Orchestra, Chorus & Solo Voices. Music to Friedrich Duncker's play "Eleonore Prohaska". | | orc | 1815 | | |
| W97 | | | Chorus "Es ist vollbracht" | Chorus for Orchestra, Chorus & Solo Voices. Es ist vollbracht = It is fulfilled.
Final chorus from Treitschkes Singspiel "Die Ehrenpforten" (The Triumphal Arches) | D+ | | 1815 | | Choir |
| W98 | | | Chorus "Wo sich die Pulse jugendlich jagen" | Chorus with soprano solo. For the festive play "Die Weihe des Hauses". | | | 1822 | | Choir |
| W99 | | | Italian partsongs | Except for numbers 8 and 12 all were written for Salieri. No. 8 was also published separately as WoO 119. a,b,and c are different settings of the same song. | | | 1803 | | Song |
