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Musica universalis (lit. universal music, or music of the spheres) is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of musica (the Medieval Latin name for music). This 'music' is not usually thought to be literally audible, but a harmonic and/or mathematical and/or religious concept.
The Greek mathematician and astronomer Pythagoras is frequently credited with originating the concept, which stemmed from his semi-mystical, semi-mathematical philosophy and its associated system of numerology of Pythagoreanism. According to Johannes Kepler, the connection between geometry (and sacred geometry), cosmology, astrology, harmonics, and music is through musica universalis .
At the time, the Sun, Moon, and planets were thought to revolve around Earth in their proper spheres. The spheres were thought to be related by the whole-number ratios of pure musical intervals, creating musical harmony. Johannes Kepler used the concept of the music of the spheres in his Harmonices Mundi in 1619, relating astrology (especially the astrological aspects) and harmonics.
Some Surat Shabda Yoga Satgurus considered the music of the spheres to be a term synonymous with the Shabda (also known as the Audible Life Stream) in that tradition, because they considered Pythagoras to be a Satguru as well.
It is believed in Buddhism that when one practices Buddhist meditation and eventually reaches a higher level of consciousness, one can activate one's third ear and hear the music of the gandharvas ("the celestial musicians").
According to Max Heindel's Rosicrucian writings, the heavenly "music of the spheres" is heard in the Region of Concrete Thought, the lower region of the World of Thought, which is an ocean of harmony.
This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Musica universalis". Allthough most Wikipedia articles provide accurate information accuracy can not be guaranteed.
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